Points of View : an Anthology of Short Stories Moffett Read Online
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Points of View is an anthology, and then, um, lots of people wrote it. Information technology features some of the greatest, sharpest gems of short fiction from the get-go 6 decades of the 20th century, and some older stuff too. As far as I know, these are the people who fabricated short fiction what it is. I mean these folks are the serious heavyweights. The dudes and ladies who invented the kinds of endings that leave you gasping. The people who figured out how to make ten pages pack a pu i. Who the f!#& wrote this book?
Points of View is an anthology, so, um, lots of people wrote it. It features some of the greatest, sharpest gems of short fiction from the outset six decades of the 20th century, and some older stuff likewise. Every bit far as I know, these are the people who fabricated brusque fiction what it is. I mean these folks are the serious heavyweights. The dudes and ladies who invented the kinds of endings that leave you lot gasping. The people who figured out how to brand ten pages pack a punch.
Every bit with many collections published dorsum in the day, it doesn't feature much in the way of writers who weren't white. The revised edition goes some way to correcting that - calculation Langston Hughes, for example, who totally shoulda been in the original edition. Aforementioned with James Baldwin. That being said, while the revised edition contains more than diverse contemporary writers, it doesn't add together much beyond the two noted higher up to the list of non-white authors writing of import short fiction in the same time periods as the authors in the original edition were writing. That seems to me to exist a shortfall. Whine whine, I know, but really? Not even Zora Neale Hurston? Geez. One of the tougher things for me about doing the happy-skip-jump nearly this anthology is that information technology's not an American anthology (information technology'due south got Chekhov, as I said, and Maupassant, and Henry James and Dostoevsky and whatnot) and therefore really doesn't accept much of an excuse not to have more than globally various writing in either edition. And then that's kind of a bummer. Just think of it as a sampling, I guess, and bear in mind that Western white folks did non, in fact, have a monopoly on the short story form - but a monopoly on publishing in the West. The writers who are included, though, do amazing things with brusque stories, and you lot should read them. Although, fair warning? You volition want to throw the New Yorker across the room when you're done for giving united states such sad and whiny excuses for good short fiction. (Talk near white dudes...)
2. What the f!#& is information technology about?
Well, the cool thing well-nigh the collection (other than having dozens of amazing stories in information technology, geez) is the format. Equally the title implies makes glaringly obvious, it'southward all about points of view - and then the stories are separated into groups based on the perspective that'southward existence used to tell the story. Interior monologue, anonymous narration, epistolary advice - it's got a whole agglomeration of them lined up for you, and what'south really peachy is the way the stories in each grouping actually fit together despite the total differences amidst them. Some are funny, some are serious, some are romantic, some are tragic, some are shocking - the collection includes Shirley Jackson's fanf!#&ingtabulous story "The Lottery," and if you don't know what that is for the dearest of god don't google it but read it please - and the grouping past narrative style provides a really intuitive and fluid connection between the pieces. It also keeps things fresh - equally a reader, one short story later on another can be a little exhausting, what with the constant switches in tone, style, content, and character. The style of grouping gives you a kind of aha! moment each fourth dimension y'all come to the next grouping, so that you have a new mode to look at the stories you're reading every few dozen pages. It keeps them from running together - and, well, it'south an excellent teaching tool, if you similar that kind of thing.
As for what each individual story is about, well, lots of different things, genius. (I know, I know, I asked the question, not you lot.) What holds them together is the shining awesomeness of the writing. These stories are masterworks. You might not similar all of them, and that'due south fine and probably even good. Just each one glows. They are tight, sharp, gleaming examples of what can be done with a few words and a fine mind. Reading them is like eating from a tray of tiny trivial cakes, all of them unlike and every i of them intrinsically, heartbreakingly succulent.
3. Where the f!#& should I read this volume?
This volume is delightfully fat and full of stories - the original edition has 41, the revised 44 - and the diversity makes it perfect for reading well-nigh anywhere. Have it on a plane or a long journey to somewhere, or your morning commute. Read it on your lunch break, or on the porch swing with a lemonade and the sun going down, or a park bench somewhere. Read the best ones aloud to friends and family.
four. When the f!#& is it set?
The stories have identify all over. Something for anybody, actually. (Although the newer edition has fewer stories that take place prior to the turn of the century, presumably because that's not hip or something?)
5. Why the f!#& should I read information technology?
This is like a a modest paper box full of the awesomeness of storytelling. That's why yous should read it. The end.
Oh, well, and as well the majority of the featured writers wrote lots of other stuff, including epically expert novels and essays and whatnot, so reading information technology can be a wonderful way to observe some new classic writers to check out without having to figure out in the bookstore whether you lot'll hate them or non. (Considering you still get to the bookstore, correct? Your awesome local bookstore? You lot'd just amend, mister.)
And because it will remind you of the total spellbinding beauty of words and the thousands of different ways there are to deploy them in such a style equally to move the human middle. The stories in Points of View are, of course, exactly that - contrasted, elegant, forthright, funny, touching, quiet, brash perspectives on how to tell a story and what a story can be. Drawing together these beautifully-crafted stories is a reminder that in that location's not ane way to practice information technology right, not one voice to take, not ane topic that's important. I'd say that a pretty f!#&ing good thing to remember.
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I detest to get all religious on yous but for the brusque story reader this is the book of books. It is wonderful, perfect, lovely, superb. At that place'due south some bollocks about point of view at the beginning, and the stories are grouped in categories, ranging from interior monologue to anonymous narration single graphic symbol and multiple character to no character (the weird and beautiful Eudora Welty's 'Powerhouse'). (Actually it is quite interesting, and I left the book with my daughter who'south studying English and American Literature in Maryland Uni). The master affair is though the quality of the stories, and every i I read was a zinger. It starts with Dorothy Parker'south amusing dinner party chestnut 'But the I on the Right' and ends with Shirley Jackson'southward 'The Lottery' - which I'd heard so much about but not really read until this point. The highlights in between are besides numerous to mention only Berriault'due south (new name to me) 'Rock Male child' about a nine year erstwhile boy who accidentally kills his older brother is stunning. Besides great were Malamud'due south 'The Prison house', Steinbeck's 'Johhny Bear', Chekov's 'Enemies' (of course), Irwin Shaw's 'Act of Faith' virtually persecution of Jews in the United states during WW2 (almost blaming them for dragging the country to war), and to praise British writers for a moment Dylan Thomas's and Alan Sillitoe'due south childhood ones, oh God the whole lot (I recollect though I did miss a few out, eg the editor's own contribution, as I had to get out the book).
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The squeamish affair most this anthology is that information technology collects stories from a wide multifariousness of time periods and cultures. While it leans pretty heavily on pre- and mail service-WWII America, we too take Nathaniel Hawthorne'southward "The Minister'due south Blackness Veil", besides every bit stories past Poe, Chekhov, Maupassant, James Joyce and Joseph Conrad (including some bottom-known stories by these masters). One of my favorite pieces was Dorothy Parker's "But the Ane on the Right", which is a dinner party guest's inner monologue virtually her fellow guests. The collection fifty-fifty includes a story by long-time MU faculty member Tom McAfee, "This Is My Living Room". ...more
Fantastic album. I loved the layout, first of all- let's start with that. The book is divided into sections of different narration styles which was SUPER helpful to my Short Fiction class and also a great manner to group the stories together.
I've read work by some of the authors that are in here I was so excited when I learned that one of my classes' required textbook was only TEN BUCKS?????? WHAT? And then, yes, I actually paid attending to this one since they weren't trying to scalp my education.
Fantastic anthology. I loved the layout, first of all- let'south outset with that. The volume is divided into sections of different narration styles which was SUPER helpful to my Brusque Fiction class and too a great way to grouping the stories together.
I've read work by some of the authors that are in here (Langston Hughes, Margaret Atwood, Frank O'Connor, Joyce Ballad Oates, etc) and have heard of some others (James Baldwin, Alice Walker, Shirley Jackson, Truman Capote, etc) merely prior to reading, I've only read i of these brusk stories before. It was a really great mishmash of some fantastic authors.
I wouldn't marker it five stars considering in that location were a handful of stories I found slightly tedious. They were keen to study, only just not to my personal taste. ...more than
This drove is unique because the 44 archetype stories in information technology are organized not past date, author, or discipline, but the fashion that they're told, or, equally the championship suggests, their point of view. Sections are divided upward into categories like "Interior Monologue," "Diary Narration," and "Anonymous Narration–Dual Character Indicate of View" (a much more interesting system than the standard firs
This is a great anthology of stories geared toward both readers and writers interested in the arts and crafts of storytelling.This collection is unique because the 44 archetype stories in it are organized not past engagement, author, or field of study, but the mode that they're told, or, every bit the title suggests, their signal of view. Sections are divided up into categories like "Interior Monologue," "Diary Narration," and "Anonymous Narration–Dual Graphic symbol Point of View" (a much more interesting system than the standard kickoff-, second-, and third-person classifications) with a option of stories written in that POV in each.
"Points of View" originally came out in 1966 and was the result of work with students at the Phillips Exeter University, which at the fourth dimension was a private boys school. Some of the stories in the original version were taken out and replaced in 1995 with stories of a more mod, ethnically and sexually various bent to better serve the gimmicky reader. And as you can see from the cover at that place is a wide selection of writers, which I recall makes this a strong collection.
One of my favorite stories in here is "A&P" by John Updike, a story told with the "Subjective" narrative technique. It's the story of 1 fateful 24-hour interval in the life of Sammy, a clerk at an A&P grocery shop. Three girls clad simply in bathing suits come into the store and at the end Sammy makes a moral determination that he ends up regretting, a common predicament for Updike characters. This is a great curt story that a creative writing teacher I had in college used equally a marker for what would be expected in our own stories.
"Points of View" is an fantabulous and diverse drove of stories no matter what your interests are. Who knows, you could find a style in its pages that inspires you to attempt your hand at it, as great stories tend to exercise.
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It was developed to aid in a creative writing class since its form is to move from one manner of narration to another.
Styles of narration featured past section:
Interior Monologue, Dramatic Monologue, Letter Narration, Diary Narration, Subjective Narration, Detached Autobiography, Memoir, Anonymous Narration: 1, 2, 3 or more, and No Character Points of View.
Some of the stories inc
This anthology originally appeared in 1966 and has since undergone revision to add more stories from the 1970's and fourscore's.Information technology was adult to aid in a creative writing class since its course is to move from i style of narration to some other.
Styles of narration featured by section:
Interior Monologue, Dramatic Monologue, Letter Narration, Diary Narration, Subjective Narration, Detached Autobiography, Memoir, Anonymous Narration: 1, ii, iii or more, and No Character Points of View.
Some of the stories included are fantastic. I cannot say plenty in praise of the following stories(though each for different reasons):
"A Parcel of Messages" by Henry James
"Christmas Eve at Johnson'southward Drugs N Goods" by Toni Cade Bambara
"The Five Forty-8" by John Cheever
"Come Out the Wilderness" by James Baldwin
"The Suicides of Private Greaves" by James Moffett
"My Side of the Thing" by Truman Capote
"A & P" by John Updike
"A Coupla Scalped Indians" past Ralph Ellison
"Act of Religion" by Irwin Shaw
A solid anthology. Some classics, some less-heralded piece of work by excellent writers, and only a few duds -- some of which editors in 1995 might include just editors in 2019 would exclude. A proficient deep dive into point-of-view, the one aspect of craft that unlocks all others.
1. Likewise early Spring
2. Mademoiselle Pearl
3. Johnny Bear
4. First Confession
5. Diary of a Madman
half-dozen. The utilise of Force
are a few of the best (better ones) - no particular gild except Too Early Spring is the best
The authors in the edition I ain include Dorothy Parker, Tillie Olsen, Katherine Mansfield, Joyce Carol Oates, Henry James, Ambrose Bierce, Charlotte Perkins Gilman, Five.S. Naipual, Lorrie Moore, Truman Capote, Langston Hughes, John Updike, Frank O'Connor, Ralph Ellison, Amy Tan, Louise Erdrich, Raymond Carver, James Baldwin, Alice Walker, Margaret Atwood, Shirley Jackson, Eudora Welty among others. Not the same as one in a review naming Dostoevksy, Gogol, Turgenev, Crane, Malamud, Porter, Bellow. So this exists in several editions, and tin't be taken as a "best" of the curt story (otherwise where is Cather, Chekhov, Hawthorne, Joyce, de Maupassant, O Henry, Poe, Saki, Twain?) but it is a very strong collection. I was impressed by the earlier edition assigned me in high schoolhouse, and this ane holds up well too. Both every bit best I tin call back comport Shirley Jackson'southward "The Lottery"--among the most memorable and powerful short stories I've ever read.
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The stories themselves are a very enjoyable collection of authors ranging from Amy Tan to T.C. Boyle to Henry James to Joyce Ballad Oates,to Eudora Welty, etc. etc. I take found the Internet (specifically Wikipedia) very helpful in tracing downwardly the groundwork and literary opus of all these authors, deepening the enjoyment. Several were my favorites: "The Circuit" by Francisco Jiminez, about migrant sharecroppers (I found out that this was function of a longer drove of related stories by the aforementioned author, plan to read 'due east,k for sure), and "Powerhouse" past Eudora Welty, about an African-American jazz musician whose lifestyle and personal tragedies seem somehow secondary to The Music.
Many more examples are at that place. This is somewhat wearisome going, and, every bit with many such works, I accept used these stories to "cleanse my palate" between novels. I HIGHLY recommend this one!
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Dramatic monologue along with anonymous narration (with no character bespeak of view) I ultimately found far less engaging only what surprised me was that letter narration did little for me as a reader - despite the fact that I enjoy an array of Victorian epistolary novels (along with th
I've been dipping in and out of this anthology for a few years now and it's been an enjoyable journeying for the well-nigh part. Exploring what points of view spark your own interest also makes for captivating observation.Dramatic monologue along with anonymous narration (with no character point of view) I ultimately found far less engaging simply what surprised me was that letter narration did little for me as a reader - despite the fact that I bask an array of Victorian epistolary novels (along with the more modern The Prestige by Christopher Priest).
Top reads that I'd highly recommend from my well-worn, dog-eared, 1966 2nd hand edition include: 'Johnny Bear' by John Steinbeck,'The Five-40-8' past John Cheever, 'Bad Characters' past Jean Stafford, 'Fever Flower' by Shirley Ann Grau, 'Patricia, Edith and Arnold' past Dylan Thomas, 'Unlighted Lamps' past Sherwood Anderson, 'First Confession' past Frank O'Connor, 'The Use of Force' by Carlos Williams, 'As well Early Spring' by Stephen Vincent Benet, 'Maria Concepcion' by Katherine Anne Porter, 'My Side of the Matter' by Truman Capote, 'The Suicides of Private Greaves' past James Moffett, 'The Fall of the House of Conductor' past Edgar Allan Poe, 'A and P' past John Updike, 'Flowers for Algernon' by Daniel Keyes and 'This is My Living Room' past Tom Mcafee.
These before-mentioned gems aren't the end of it either - at that place are plenty more to like in this brusk story treasure chest. The anthology will provide a fantastic and varied reading experience for all those interested in narrative voice and short fiction.
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but don't enquire me to define them all...i'd audio like polonius...comical-tragic, travesty-floor shaking...tragicrash-comical....
i've been trying to find this listed...i believe it is the same 1 i owned at ane time. what i liked almost it is that it contained a pile of stories, and every bit i retrieve, each one had a different kind of narration. or there might accept been groups of stories w/the same kind of narration and included with each grouping there is a kind of clarification for that particular p-o-v.just don't inquire me to define them all...i'd sound similar polonius...comical-tragic, travesty-floor shaking...tragicrash-comical....no. i believe it was more along the lines of 1st, 3rd subjective,and whatnot. i wonder if anyone shelves their books similar that? i don't. do...you?
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